Marc Mickelson

Sony, the biggest of the big consumer-electronics companies, may show the awkwardness of its size all too frequently, but it also brings to market innovative products in regular succession. Past CEDIA Expos have introduced us to amazing new video monitors and projectors, as well as Location Free TV, which allows you to watch television via wireless streaming anywhere in your house.

This CEDIA, Sony showed off more amazing video products, often at prices lower than those of previous models. These include a few camcorders that we learned about in the waning minutes of the show. With the emphasis of this CEDIA on high-resolution video, Sony's HDR-FX7 camcorder ($3400), with its 1080i output and Carl Zeiss lens, looks to be the high-end way to record video here and now. It can also do 1.2-mexapixel still captures to a separate Sony Memory Stick, which makes it more than a simple camcorder. While I don't write about such products, I would love to play with an HDR-FX7.

Another bit of info discovered near the end of CEDIA Expo. I questioned a Sennheiser representative on the supposed replacement for the HD 650s, Sennheiser's current top-of-the-line headphones. I had heard that even higher-end 'phones were in the works.

"We haven't announced that we're working on such a product" the fellow said with a wry smile.

I chuckled. "If you were working on such a product, when could people expect to see it?" I followed up.

"If we were working on such a product, you likely wouldn't see it until the end of next year."

There you have it -- maybe. Something to anticipate for CEDIA Expo 2007.

* * *

Like the portion of CES that is held in the Las Vegas Convention Center, CEDIA Expo is housed under one immense roof, which makes digging up products to cover like looking for a number of needles in a very big haystack. I'm not complaining, but I am expressing my disappointment at missing noteworthy products, which simply cannot be avoided.

One interesting product that we didn't miss was a new cable from AudioQuest, the Horizon. This expensive interconnect ($6200/meter pair) retains the DBS system that AudioQuest introduced with its Sky interconnects, among others, but uses proprietary RCAs and XLRs that were designed to provide an uncompromised connection to the pure-silver conductors without subjecting them to heat from soldering or welding. The connectors, which are delicately milled from pure copper (the RCA is plated with silver), are beefy to the extreme. There aren't any like them available right now, but if Horizon is successful, look for knockoffs to appear in short order. We can't wait to give these cables some system time.

Doug Schneider has written about the best video displays that he has seen at CEDIA, so I thought I'd add my two cents, especially because one monitor looked clearly better than all the others to my eyes: the Pioneer Elite PRO-FHD1, which is billed as the "world's first 1080p 50" plasma monitor." I think what impressed me most about the picture from this monitor was the blackness of the blacks – like wet velvet, an effect that was enhanced by the very bright and true colors. This is the HDTV that I would buy, and because Pioneer has lowered its price from $10,000 to $8000, I would have a better chance at affording it.

* * *

Two home-theater demos reminded me of what I like and dislike about home-theater sound.

A system that replicates a soundfield is right to my ears; there is a sense that all of the speakers are working together and not functioning as individual entities. I'm not so much talking about tonal blending (although that's important) but spatial blending. When I'm watching a movie, I hate hearing individual speakers and prefer a softer, more continuous sound that's not ultra detailed.

The first system I heard that succeeded was from Mirage and used a full complement of OM Design speakers, including the new OMD-5 (above, $375 each). Talk about continuous! These speakers practically inflated the room with sound, enveloping me and creating a very credible facsimile of space. The second system was from Magnepan and used a pair of center-channel speakers mounted one on each side of the monitor. This eliminated any directionality and, again, created a more spacious presentation.

Both of these systems were easy to forget about as I sat and watched a few demo chapters from standard-definition and HD DVDs. What a joy to watch video and not be assaulted by audio! In a bit of breaking news, later this year Magnepan will be outfitting luxury suites at the Mandalay Bay Hotel in Las Vegas with the same dual-center-channel system I heard.

* * *

Although we cover CEDIA in the same way we do CES and other shows -- posting daily updates -- it is a show unlike the others. It is more about product introductions than product demos. This difference shapes our coverage of CEDIA and our interaction with it. Strictly speaking, covering CEDIA isn't as much fun as covering shows that involve listening to music in between finding out about new and interesting audio goodies.

Still, there are highlights, one of which occurred in a press conference held before the expo part of CEDIA began. In a bit of self-deprecating humor, Jim Thiel introduced his new SCS4 speaker while poking fun at the fact that the CS3.7, which was introduced in January, is still not shipping. Supply snags have slowed production of the CS3.7, but no such issues exist with the SCS4, which will be shipping before the end of the year. It uses a shielded version of the the PowerPoint and PowerPlane coaxial driver, which combines the same tweeter used for the top-of-the-line CS7.2 with a very stiff, light two-piece midrange/woofer cone. To increase rigidity, the SCS4's baffle is made of diecast aluminum; the inch-thick MDF cabinet comes in a much smaller number of finishes, which helps Thiel offer the SCS4 at under $1000 each. "There are very few sonic compromises built into this speaker," Jim Thiel explained, even though it is the first Thiel speaker in quite some time to come in under one kilobuck. It is suitable for L/C/R and surround home-theater use as well as good ol' stereo. [www.thielaudio.com]

Of all the many products I've seen so far, Logitech's soon-to-be-available Harmony 1000 remote control is the one that has me in a tizzy. I will soon be writing a love song to the Harmony 880; the new 1000, with its 3 1/2" color touch screen and computer-based setup, has me wondering how controlling an A/V system could get any better. It would be nice if the Harmony 1000 cost less than its $499 price, but if you've used a Harmony remote, you'll be thinking that this sexy number looks to be worth its cost before you press any of its buttons.

 


All contents copyright © Schneider Publishing Inc.
Reproduction without permission is prohibited.

SoundStage! Network